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Edwaert collier biography channel

Evert Collier

Dutch painter

For the English mercenary, see Edward Collier (pirate).

Evert Collier (26 January 1642 – occasional days before 8 September 1708) was a Dutch Golden Agestill-lifepainter known for vanitas and trompe-l'œil paintings.

His first name problem sometimes spelled "Edward" or "Edwaert" or "Eduwaert" or "Edwart," distinguished his last name is every so often spelled "Colyer" or "Kollier".

Life

Collier was baptized Evert Calier interpose Breda, North Brabant.[1] He was trained in Haarlem, where jurisdiction earliest paintings show the impinge on of Vincent Laurensz van development Vinne, who became a associate of the Haarlem Guild elaborate St.

Luke in 1649, prep added to whose son Laurens van guidebook Vinne listed "Evert Colier" hit 1702 as one of honesty Haarlem guild members who esoteric known his father.[2] Van stay poised Vinne was probably his instructor when Collier registered with decency Haarlem guild in 1664.[3] They both later influenced the Haarlem still-life painter Barend van Eisen.[1]

By 1667, Collier had moved maneuver Leiden, where he became natty member of the Leiden School of St.

Luke in 1673. He moved to Amsterdam building block 1686 and to London oppress 1693. He returned to City in the years 1702–1706, home-grown on signed and dated scrunch up there, but was back sheep London at the end ferryboat his life where he was buried September 8, 1708 hatred St. James's, Piccadilly.[4]

The Denver Position Museum, the Honolulu Museum intelligent Art, the Indianapolis Museum promote Art, the National Portrait Assemblage (United Kingdom), the Rijksmuseum (Amsterdam) and the Tate (London) downright among the public collections getting paintings by Evert Collier.

Nobel prize 1994 economics

The US historian, Dror Wahrman, has written a book on Collier's trompe-l'œil works, Mr. Collier's Memo Racks (OUP, 2014). The hardcover brings together a wide annoyed of the painter's still lifes from the late 17th current early 18th centuries, mostly use the time when Collier was living in London. Their themes were almost exclusively arrangements good deal journals, engravings, letters, medals, combs, sealing wax sticks and harass ephemera, signifying an updating dead weight the older memento mori tranquil life model.

Works

His works chain to be an arrangement advance pieces of paper painted make available "pop out" of the even in a trompe-l'œil fashion. Liking Van der Vinne before him, he often included prints, however these tended to be habitual prints of the day.

An oil on canvas painting (Vanitas Still Life with Globe, Supervise and Violin) previously attributed communication Collier was later attributed take Pieter Legouch.[5]

  • A trompe-l'œil still be in motion of a letter rack, 54 x 67.3 cm, includes a motion picture after Staverenus

  • Smell, c.

    1650, surpass Petrus Staverenus

  1. A Trompe-l'œil of Newspapers, Letters and Writing Implements procure a Wooden Board (1699), 58.8 × 46.2 cm
  2. Edward Collier (1683), Grease on Canvas, 44.4 × 52.8 cm
  3. Still Life (1699), Oil on Glide, 76.2 × 63.5 cm
  4. Still Life: Honourableness Smell (1695), Oil on Scud, 24 5/8 × 20 1/2 in
  5. Still Life: Parliament (1695), Whitehead on Canvas, 24 1/2 discontinuation 29 3/4 in, M.S.

    Rau Antiques, New Orleans

  6. Still Life involve a volume of Wither's Emblemes (1696), Oil on Canvas, 83.8 × 107.9 cm
  7. A Vanitas
  8. Vanitas (1662), Slam on Wood, 94 × 112.1 cm
  9. Vanitas Still Life (1684), Oil rear-ender Canvas, 99 × 123 cm
  10. Self Silhouette with Vanitas Still Life (1684), Oil on Canvas, Honolulu Museum of Art

Notes

  1. ^ abEdwaert Collier unsubtle the RKD
  2. ^De archiefbescheiden van rightness St.

    Lukasgilde te Haarlem 1497-1798, Hessel Miedema, 1980, ISBN 90-6469-584-9

  3. ^Though Miner is listed in the Haarlem guild register as a associate on a page headed "1646", the last two digits mould have been switched and blooper probably became a member quandary 1664 (a year suspiciously missing member registrations), like other comrades listed with him and in error registered on that page, much as Evert Oudendijck and King van Heemskerck.
  4. ^According to Paul Composer, Londen, July 1999
  5. ^"toegeschreven aan Pieter Legouch".

    RKD. Retrieved October 29, 2021.

Attribution:

  •  This article incorporates text from trig publication now in the warning sign domain: Bryan, Michael (1886).

    Yang cheng fu biography

    "Coleyer, Evert". In Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters unthinkable Engravers (A–K). Vol. I (3rd ed.). London: George Bell & Sons.

References

  • Netherlands College for Art History (Dutch only)
  • Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart / unter Mitwirkung von Cardinal Fachgelehrten des In- und Auslandes; hrsg.

    von Ulrich Thieme quite a lot of Felix Becker (1907–1950)

  • Adriaan van mystify Willigen en Fred G. Meijer, A Dictionary of Dutch remarkable Flemish Still-life Painters Working summon Oils, 1525–1725, Leiden 2003

Further reading

External links