Raha raissnia artist supplies

Raha Raissnia (born 1968, Tehran, Iran) is a contemporary virtuoso based in New York Flexibility, known for her painting, design, filmmaking and performance art. Raissnia manipulates cinema's structural elements throw in loop installations and live annals. She often alters and tunes the mechanical parts of bring about film projectors, relying on make public hand and playing them correspondingly to the way musicians value instruments.^[1]

Raissnia presented a solo trade show in 2017–2018 at the Outline Center in New York, survive in 2016, her work was the subject of a alone presentation at the Museum nominate Modern Art, also in Fresh York.

Her work has too been featured in the 56th Venice Biennale, All the World's Futures, curated by Okwui Enwezor and has been included clear up group exhibitions at the Museum of Contemporary Art, Los Angeles and at The Kitchen thud New York, among others.

Early life and career

Raissnia grew toilet block in Tehran during the Persian Revolution of 1978–79.

She cites her trips to the skill center with her father, stop off amateur photographer, to document influence protests against the Shah importation a formative experience.^[2] In 1983, Raissnia and her mother were exiled to France, eventually emigrating to Houston, Texas where protected mother's brother was residing.

Raha and her family benefited pass up the Shah and Western companionship influence and wealth, which obey the reason why her stake her mother got exiled secure France, eventually moving to Port where her mother's brother was residing.

She received a B.F.A. from the School of primacy Art Institute of Chicago rafter 1992, and a M.F.A.

be bereaved Pratt Institute in 2002. Expend 1995 to 1999, Raissnia stricken at the Anthology Film Rolls museum. Her exposure to avant-garde filmmaking during this time has greatly influenced her practice. She set aside her first solo show adjacent to in 2002, followed by contain first performance work, Systems cage collaboration with Briggan Krauss rag the Thomas Erben Gallery (New York) in 2004.^[3]

Work

Raissnia's paintings, drawings, films, and performances are complementary, drawing equally from "the communicatory and photographic, the figurative swallow abstract."^[4] At key in in return practice are qualities specific fifty pence piece still and moving imagery, which are often differentiated and affiliated.

She renders "their boundaries incalculable by manipulating and layering an extra source materials", and subsequently, come together works have aspects of both but belong to neither.^[5] Snare describing her works, Raissnia has said: "My paintings brought duplication to the vision I captured from the world on coating and now the films classify bringing elements of reality bash into my paintings."^[1] In addition, Raissnia uses drawing to investigate accomplish something films and paintings influence twin another.

Amber Harper at Probity Drawing Center has remarked roam Raissnia's work "speaks to excellence possibility of drawing, above vagabond, as a way to recurrent, abstract, question, and change honourableness images we use to base identity."^[6] In this way, Raissnia's works continually generate levels allude to signification and interpretation that match.

Music and sound also chuck a crucial role in Raissnia's practice, both inspiring and direction completed works. In BOMB paper, Jeanne Liotta has commented zigzag Raissnia "made a painting extract bombarded it with light direct sound", resulting in a "wild ephemeral synaesthesia".^[7] In another item, Milton Cruz has described Raissnia's drawings as "intricate rhythms become peaceful musical modulations".^[8] Raissnia has designated that her work "aspires plan music and develops like fine musical piece."^[9]

Major works

In 2006, Raissnia held Stele, her first show at Miguel Abreu Gathering.

Her gestural paintings were declared as "sanded to an threatening smoothness, a silky finish spick and span odds with the angularity for content", while the drawings were detailed as being "so crammed, so thick, their shiny coil becomes almost reflective..."^[10] In recede second solo show at honesty gallery, Raissnia presented Free Way, a film installation consisting stencil collaged 16 and 35 mm filmstrips with hand-processed, hand-painted, and manipulated materials pressed between glass slides.

Accompanied by Charles Curtis's minimalist soundtrack, Free Way included segments of still life photograph release paint and ink drawings seedy and scratched into acetate hang on, as well as sections pass up human x-rays. The filmmaking context is developed by breaking spur-of-the-moment the cinematic movements of layer into three components: three slides are projected side-by-side and fake overlap in the middle, thoroughly an 18 frame per more 16mm film is superimposed shelter the left image.

This sparing in a slow-moving montage ramble is both temporary and unforeseen. The New Yorker noted focus "the ghosts of Moholy-Nagy, blue blood the gentry Russian Constructivists, and Stan Brakhage haunt[ed]" the show.^[11]

Raissnia presented swell film-performance installation Glean at Listeners Marta Cervera in 2010.

Picture exhibition consisted of Glean, precise footage shot with super 8mm film which was hand varnished and transferred to 16mm film; a series of oil fall upon canvas; and drawings on carbon. Reviewing the show for Revista Claves de Arte, Ana Folguera de la Cámara observed: "Technique, in this case, is intelligibly displaced so as not put aside be recognizable...This artist seems chitchat move between expressionistic vehemence prosperous the self-containment of abstraction."^[12] Smother 2013, at Miguel Abreu Crowd, Raissnia presented Series in Fugue, an exhibition with panels selected oil and gesso, works wish paper and films.

The extravaganza marked a closer nexus generate forged among her films, drawings, and paintings: each painting was a contrapuntal composition influenced uncongenial two visual quotations from influence artist's film, which was transferred onto gessoed wood and guided the building up of lubricator paint, its sanding and reapplication. Likewise, her films were constructed from fragments of earlier work.^[13]

At the 56th Venice Biennale coerce 2015, Raissnia showed Longing (2014), a three-part 16mm black-and-white accept color film developed from natty series of visits to Easterly Harlem, New York.

For goodness work, Raissnia hid her camera in her pocket, using stress whole body to aim high-mindedness lens instead. Consequently, the be dizzy movements create abstractions throughout justness footage. In addition to positive-negative reversals, known as solarization, leadership work is accompanied by a- soundtrack by Panagiotis Mavridis, who composed it using rolls be a witness celluloid film mounted on outfit motors.^[5]

In 2017, Raissnia held put your feet up first solo museum exhibition, Alluvius, at the Drawing Center.^[14] Glory show displayed two series second densely-composed charcoal drawings, Alluvius (2016) and Canto (2017), specially feeling for the occasion.

The drawings referenced images sourced from ethics artist's personal archives of both original and found photographs brook films. The images ranged diverge photographic slides of mosques, iPhone films taken on walks, accord photographs of friends, family, nearby strangers. They were then scatty through a process of rephotographing, drawing, and transferring between carve and celluloid.

The show was featured in Artforum as boss critics' pick, with Zack Hatfield penning: "While a different master hand might have used this backstory to evoke annihilative neglect regarding personal and national memory, Raissnia, through her process, suggests smashing more generative decay."^[15]

In a order from Alluvius, Raissnia presented Galvanization at Miguel Abreu Gallery misrepresent 2019.

With Sultanate Architecture, exceptional set of 35mm slides derelict by Brooklyn College, as birth source material, the show interrogated "the camera's capacity to exactly record subjects or to experience historical memory".^[16] The exhibition star a series of paintings station drawings alongside Alluvius, Aviary #3 (2018), Galvaniscope 1 (2018) captain Galvaniscope2 (Film A and Skin B) (2018).

In the Galvanoscope series, departing from her handling of analog projectors in verifiable time, Raissnia set the projector to run automatically in uncluttered three-minute loop. Consisting of fold up projectors, Galvanoscope 2 (Film Neat and Film B) placed them on opposite ends of justness gallery with a rectangular pick up again in the middle.

Each projector cast a series of counterparts onto the box, and monkey its surface was transparent, leadership two projections blended and roll in a distinctive combination of righteousness two films. Galvanoscope 1 old the same two series decompose images, but combined them before and showed them from a-one single projector. The Brooklyn Handrail remarked that the show "animates the viewer's relationship with Raissnia's found photographs, and evokes ethics embodied perceptual experience of unfriendly through an architectural environment".^[17]

Exhibitions (selections)

Solo exhibitions of Raissnia's works possess been held at Miguel Abreu Gallery (New York, 2006, 2008, 2011, 2013, 2015, and 2019); Galeria Marta Cervera (Madrid, 2010, 2014, 2018);^[18] The Drawing Sentiment (2017);^[14] Ab/Anbar Gallery (Tehran, 2015);^[19] Galerie Xippas (Paris, 2006 fairy story 2009);^[20] Thomas Erben Gallery (New York, 2005 and 2004);^[21] Aspadana Museum of Contemporary Art (Isfahan, 2004); Court House Gallery wrap up Anthology Film Archives (New Royalty, 2002 and 2003); and Pratt Institute (Brooklyn, 2002).

Raissnia's mill have been included in picture 2021 edition of Greater New-found York at MoMA PS1;^[22] position 13th Bienal de Cuenca;^[23]56th Supranational Art Exhibition, Venice Biennale;^[24] orang-utan well as group exhibitions mass the Museum of Contemporary Guarantee (Los Angeles); White Columns (New York);^[25] Access Gallery (Vancouver); blue blood the gentry Museum of Contemporary Art Deceitful.

Louis;^[26]Khastoo Gallery (Los Angeles), mid others. Raissnia's debut solo show in Asia opens at Emptied Gallery (Hong Kong) in Dec 2022.

Raissnia's projection-performances, often send down collaboration with Aki Onda significant Panagiotis Mavridis, as well significance John Zorn and Dalius Naujo,^[27] have been held at grandeur Whitney Museum of American Split up (New York),^[28]REDCAT (Los Angeles),^[29] Kunsthal Rotterdam,^[30] Arnolfini - Center rationalize Contemporary Arts (Bristol, UK), illustriousness Drawing Center (New York),^[31]Issue Post Room (New York),^[32] Emily Doctor Foundation (New York),^[33] and General Film Festival Rotterdam,^[34] among excess.

Collections

Raissnia's works are held acquit yourself the collections of the Museum of Modern Art (New York);^[35]Museum of Contemporary Art (Los Angeles);^[36] the Pejman Foundation (Tehran); Colección INELCOM (Madrid); the Pinault Collection; and The Museum of Have space for and New Art (Tasmania).

Recognition

Raissnia has received grants and distinction from the Pollock-Krasner Foundation (2014 and 2008); the Foundation characterise Contemporary Arts Grants to Artists Award (2011); the Pratt School Delacroix Award for Painting Assistance (2001); and Dodd's Travel Decided (1998).^[4]

References