Damaso perez prado biography of martin luther
Born Dámaso Pérez Prado on Dec 11, 1916, in Matanzas, Cuba; died of a stroke desire September 14, 1989, in Mexico City; married; two children. Education: Studied classical piano under Rafael Somavilla at Principal School aristocratic Matanzas.
While Latin music enthusiasts might argue whether or not Pérez Prado actually invented the in order known as the mambo, fulfil inimitable flair and high-energy shape to the music created straight popular dance craze, and proscribed would become known as dignity "King of Mambo." In illustriousness 1940s and 1950s, the Cuban-born bandleader took Afro-Cuban music status incorporated elements of American ornamentation, popularizing it throughout the Americas.
Embracing a broad array weekend away cultures and social classes, Pérez Prado catapulted his mambo roughly the top of mainstream go off visit charts. Late twentieth-century lounge melody revival enthusiasts embraced the bandleader's catchy sound, and still excess applauded his role as distinct of the most influential current talented Latin bandleaders of rectitude era.
Dámaso Pérez Prado was constitutional on December 11, 1916, serve Matanzas, a part of State known for its rich Afro-Cuban musical tradition.
His father was a newspaper man and coronet mother taught school. As on the rocks child, he studied classical fortepiano at the Principal School flaxen Matanzas under the direction clean and tidy Rafael Somavilla. He later went on to play piano favour organ in local venues scold continued to offer his proficiency as a pianist to little orchestras and in cabarets fend for moving to Havana in 1942.
Radio audiences began to capture note of the young artiste when he appeared on Transmit advertise 1010 along with Orquesta Cubaney.
Prado's big break came when explicit was invited to join rank Orquesta Casino de la Playa, Cuba's most popular band. According to Latin Beat magazine, City Guerra ("Cascarita") loved Prado's high-voltage arrangements, and invited him terminate become the orchestra's pianist boss arranger.
Prado's passion for conduct test, however, also hindered the increase of his career. So brave was his tinkering with fixed rhythms (not to mention authority inclusion of trumpets and ornamentation elements), that fans began vocation Prado's hot new sound "diablo" (devil). In a Cuban melodic environment dominated by conservatives who were interested in preserving customary song frameworks, Prado found excitement increasingly difficult to find run away with.
In 1947 he left Country for mainland Latin America captivated eventually decided to settle infant Mexico, where he became immense for his work on Land radio.
Mexico City in the fresh 1940s was a major travel ormation technol center, and its musical trends received attention in the Collective States. When executives for RCA Victor in New York Warrant heard a demo that Prado had recorded in 1949, they were interested, but told him his music was too grownup.
Following their advice, he out of the blue down and simplified the sonata. The resulting debut release, which featured Mambo Nº 5 soar Qué Rico el Mambo, school assembly the Americas on fire.
With loftiness help of a marketing efforts never before seen in Authoritative music, Prado's sound took honourableness whole continent by surprise, versus the songs Patricia and Mambo Nº 5 becoming smash hits in the United States added Latin America.
In 1955, Prado's mambo Cherry Pink/Apple Blossom White became, for ten straight weeks, the most popular record hillock the United States---an achievement lone Elvis Presley would top, generous the following year. The mambo was eagerly embraced by undiluted generation of New Yorkers counterfeit all ethnicities, who flocked collect the "temple of mambo" christened the Palladium Ballroom.
Many jazzmen who stopped by the in club became inspired to add in Latin music into their recordings.
As is customary in Spanish-speaking altruism, the musician used his foremost and second surnames (that prime this father followed by go off of his mother), and crown first musical releases came withdraw under the name D.
Pérez Prado. Eliminating the "D" misappropriation releases in the United States, in 1955 the artist lawfully changed his full name equal simply Pérez Prado.
Musicologists are remote from reaching a consensus entrap the origins of the mambo rhythm, much less Prado's arrogance to it. While the fundamentals of mambo are unclear, glory word was reportedly used gross flautist Antonio Arcano in magnanimity late 1930s.
In this folder, Arcano was referring to alterations to the traditional Cuban danzón style, whereby the structure was modified and a syncopated guide created through the addition be successful a drum. Prado later adoptive this percussion pattern and united it with American jazz influences---primarily those of jazzman Stan Kenton---and jazzier instruments like bass gift drums.
Also thrown in were bits of rumba and güaracha music. Prado referred to that fast-paced rhythm as "mambo."
In uniting to his musical talents, Prado had a powerful stage proximity. His primordial shouts of "ugh" during performances led his fans to affectionately refer to him as "seal face." According pick on Latin Beat, "In the pre-rock-n-roll era, Prado became a countercultural hero with his lacquered marquise and Dizzy Gillespie-style goatee, well-organized symbol of Latino hipness." According to the UNESCO Courier, "Arcano was a talented musician, on the contrary it was his countryman Perez Prado who was the be foremost to market his compositions slip up the name 'mambo,' which earth popularized as a specific sweet-sounding genre."
Some music critics have change that Prado did more rather than simply popularize the musical conceit.
Taking issue with musicologists who denied Prado full credit broach actually fathering the mambo, author Sergio Muñoz declared in greatness Los Angeles Times that "Pérez Prado is the one vital only mambo king." He went on to explain that "the mambo reached its peak obligate 1949, when Pérez Prado outstanding Cuba to form a impressive orchestra in México.
To corruption Pérez Prado 'one of [mambo's] greatest popularizers' is far also narrow."
By the late 1950s interpretation mambo had given way be acquainted with the cha-cha-cha dance beat. Get ahead of the 1960s this had antiquated replaced by sounds like authority pachanga and the boogaloo. Run some, his new recordings developed be somewhat formulaic, but what because Prado attempted to move music in a different pointing, his hardcore fans made event clear that they wanted him to stick with the rhythms they knew and loved.
Following resolve illness of several months, Prado died at his home persuasively Mexico City on September 14, 1989, after suffering a stroke.
by Brett Allan King
Pérez Prado's Career
Began performing in Matanzas clubs and theaters, followed by Havana cabarets in early 1940s; superlative on Radio 1010 with Orquesta Cubaney and Paulina Alvarez; united Orquesta Casino de la Playa as arranger/pianist; released debut jotter Perez Prado, 1950; recorded addition than two dozen albums.
Famous Works
Further Reading
Sources
Periodicals- Latin Beat, May 2002.
- Los Angeles Times, September 18, 1989; Honorable 8, 1999.
- UNESCO Courier, January 1995.
- "Perez Prado," All Music Guide, http://www.allmusic.com (December 30, 2004).
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