Susan vreeland author biography templates

(Susan Joyce Vreeland)

PERSONAL: Born January 20, , principal Racine, WI; daughter of Powerless. Alex and Esther Alberta Vreeland-Wilborn; married Joseph Gray (software engineer), November 26, Ethnicity: "Caucasian." Education:San Diego State University, B.A., , M.A.

(education), , M.A. (English literature), Religion: Christian. Hobbies tell off other interests: Travel, ceramics, skiing.

ADDRESSES: Home— Caminito Araya, San Diego, CA Agent—Barbara Braun Associates, Inc., Literary Agency, Fifth Ave., Ordinal Floor, New York, NY —[email&#;protected].

CAREER: Writer and educator.

San Diego Unified School District, San Diego, CA, instructor in English, –, and ceramics, –

AWARDS, HONORS: Prime place award in short fable, Women's National Book Association, ; creative writing award, California Confederacy of Teachers of English, ; first prize in essay group, New Millennium Writings, ; Pirate's Alley Faulkner Society Honorable Speak, , for Delft Chronicles; Book-Sense Book of the Year finalist, American Booksellers Association, and Cash Award for best novel expend the year, Foreword, both ; California Department of Education Pertinent Reading List, International Dublin Learned Prize nominee, Storyteller of significance Year Award, Independent Publishers Magazine, and Theodore Geisel Best abide by the Year Award, San Diego Book Awards Association, all fetch Girl in Hyacinth Blue; Kid in Hyacinth Blue was very listed as one of justness twenty-five best novels of shy Publishers Weekly and one bear witness the twenty best novels detail by Christian Science Monitor; luxurious prize for fiction, Inkwell, ; named woman of the best, San Diego Writer's Monthly, –; Mark Twain Award for Take your clothes off Fiction, Red Rock Review, ; Southern California Booksellers Association Grant finalist, Theodore Geisel Award broach Best Novel of the Origin, , for The Passion always Artemisia.

WRITINGS:

What Love Sees (novel), PaperJacks, , Thorndike (Thorndike, ME),

What English Teachers Want (writing handbook), Royal Fireworks Press (Unionvilile, NY),

Journey to Shambhala (promotional film), released by Snow Lion Take,

Girl in Hyacinth Blue (novel), MacMurray & Beck (Denver, CO),

The Passion of Artemisia, Northman (New York, NY),

The Land Lover, Viking (New York, NY),

Life Studies: Stories, Viking (New York, NY),

Work represented recovered anthologies, including If I Esoteric My Life to Live Over … and Generation to Generation, both Papiér Maché Press; Family: A Celebration, Peterson's Publishing; queue Cracking the Earth, Calyx Books.

Contributor of more than label to magazines and newspapers, as well as Travel and Leisure, Southwest Doorway, Saturday Evening Post, Los Angeles Times, Boston Herald, Chicago Tribune, and Christian Science Monitor.

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Contributor of essays and keep apart stories to journals, including Missouri Review, New England Quarterly, Alaska Quarterly Review, Confrontation, Dominion Regard, Connecticut Review, and Manoa. Vreeland's books have been translated interested twenty-five languages.

ADAPTATIONS: Vreeland's novel What Love Sees was filmed bring forward television, starring Richard Thomas take An-nabeth Gish, and broadcast afford the Columbia Broadcasting System (CBS) in ; Girl in Zircon Blue was filmed for neat Hallmark Hall of Fame cleave to production, c.

WORK IN PROGRESS: The Potato Eaters, a anecdote about Vincent van Gogh, tutor Viking.

SIDELIGHTS: Susan Vreeland's collection intelligent interrelated stories, Girl in Jacinth Blue, became a publishing prescience and netted its author dialect trig lucrative contract with a bigger publishing house. A teacher gravel the San Diego public institution system since , Vreeland wrote her first novel, What Attraction Sees, in the s.

Household on the true story appeal to a blind New England lass who leaves her affluent, make safe life to marry a imperceptive rancher out West, What Adoration Sees was made into clean up television movie. Despite the unpretentious success that Vreeland had cede this first effort, she locked away a difficult time finding marvellous publisher for her next activity.

A Colorado firm, MacMurray & Beck, eventually issued Girl cut down Hyacinth Blue, and the philanthropic positive critical response helped pull off the book a best seller.

Girl in Hyacinth Blue takes lying title from a fictional work of art by the seventeenth-century Dutch grandmaster Jan Vermeer, and the fabled build up a fictitious birthplace of the work through greatness lives of the owners.

Vreeland's tales move backward in past, beginning in the modern days with a tormented math don who hides the work escape the art world, ashamed put off his father looted it importation a Nazi lieutenant in representation Netherlands during World War II. The next story, "A Shady Different from All Other Nights," recounts the tragedy of righteousness Jewish family whose young bird identified with the teenage juvenile in the painting.

"This vastness establishes the pattern for probity book's structure: each chapter stands on its own, yet very builds on the knowledge nobility reader has already gained," wrote Katy Emck in the New York Times Book Review. Hit owners include a French eve in nineteenth-century Holland, who misgivings her marriage and abhors just about everything about her adopted country—except the girl in the painting—"because she recognizes in her trig sense of hope she in the flesh has lost," explained Emck.

Great Dutch countryside flood, the brewing arrival of a child, don other events in the lives of the stories' protagonists petroleum the painting to be advertise or acquired, and the hardcover concludes with the story medium how Vermeer himself came emphasize create the work.

Vreeland won put on a pedestal for the way in which Girl in Hyacinth Blue largesse the lives of ordinary liquidate across a span of several centuries.

The stories also induced positive words for the accepted thread that links all ethics characters: an appreciation for celestial being and its endurance, despite misery. Reviewers also praised the author's mastery of setting. A Publishers Weekly contributor found that "these poised and atmospheric tales indicate a rich variety of notation whose voices convey distinctive personalities." The reviewer also remarked roam in chronicling the life dapper of a painting, "unobtrusively, Vreeland builds a picture of character Dutch character, equal parts serious work ethic and faith confine a harsh religion."

"Intelligent, searching additional unusual, the novel is adequate with luminous moments," wrote Emck in the New York Times of yore Book Review.

"Like the spraying it describes so well, control has a way of slow in the reader's mind," she noted. A contributor to Kirkus Reviews called Girl in Jacinth Blue "extraordinarily skilled historical fiction: deft, perceptive, full of look at carefully, deeply moving." Library Journal's Barbara Hoffert commented: "Each vignette has the stillness, the polish, unacceptable the balanced perfection of capital Vermeer." Booklist contributor Veronica Scrol asserted that "Vreeland uses start the ball rolling as a vehicle for capturing special moments in the lives of ordinary people."

With the hardbound success of Girl in Zircon Blue, the paperback rights were sold for eleven times prestige original contract agreement with MacMurray & Beck.

Vreeland also personalized with a major American owner to publish her next thought, The Passion of Artemisia. "Vreeland set a high standard rule Girl in Hyacinth Blue," wrote Carmela Ciuraru in People. Nevertheless Ciuraru found that The Cherish of Artemisia "is even better." The novel is based endorsement the life of Artemisia Gentileschi, a real painter of say publicly Italian Renaissance.

At seventeen, she is raped by one stand for her father's colleagues, and considering that the matter is taken get through to court, Artemisia is the controversy of cruel tortures in vanguard of the jury. Now avoid she is known to significance Roman public as "tainted," put your feet up father marries her off tolerate Pietro Stiatessa, a promising growing painter from Florence.

Love grows between Artemisia and her accumulate, and they have a maid together. It is only in the way that Artemisia becomes better known by reason of a painter than Pietro—she go over the main points admitted into the Academy penalty Florence before he is—that their relationship falters.

"Vreeland's novel reminds dutiful that Artemisia was a strongly independent, prodigiously talented woman, nobility first to paint traditional nonmaterialistic and historical heroines from high-rise original, female perspective," wrote Susan Tekulve in Book.

Tekulve continued: "The Passion of Artemisia provides an imaginative and respectful theatre of view to a justifiable woman's story." A reviewer compel Publishers Weekly noted that rendering narration, told in Artemisia's words decision, is both "wise" and "candid," and believed that "readers who loved the painterly descriptions notice [Girl in Hyacinth Blue] disposition be spellbound in particular soak the scenes in which Artemisia is shown at work." Kristine Huntley of Booklist called The Passion of Artemisia "a glowing portrait of a complex womanly artist who doggedly pursues multifarious passion despite seemingly overwhelming obstacles." In her Library Journal survey, Eleanor J.

Bader called character book "fact-based fiction at take the edge off best."

Vreeland's next novel is added work of historical fiction. Call The Forest Lover, the founder tells the story of Emily Carr, a Canadian painter who lived from to The history relates Carr's rejection of honourableness stuffy English society of junk father and her fascination aptitude the native Indians of Canada, which leads her to odyssey into the dangerous and solitary wilderness of British Columbia obtain paint Indian totemic carvings.

Script on her home Web occur to that she worked on The Forest Lover at the equal time she was completing The Girl in Hyacinth Blue, prep added to while she was recovery stay away from cancer treatments, Vreeland noted rove the artist's "robust spirit, ironic as a cedar, has dazzling me to keep mine buoyant."

In a review for the Women's Review of Books, Anne Marie Todkill wrote: "One of blue blood the gentry many successes of Susan Vreeland's interpretation of Carr's life generate her novel The Forest Lover is her exploration of Carr's relationship to Native culture." Todkill went on to note walk, "although her portrayal is likeable and at times rhapsodic, undertaking is neither simplistic nor uncritical." Noting the author's "robust narrative," a Publishers Weekly contributor too wrote that Vreeland "provides … historical background with the come to authoritative detail that size brings to the Victorian culture divagate challenged Carr's pioneering efforts."Patricia Chemist, writing in the Canadian Softcover Review Annual, called the unconventional "a delight." Donna Seaman over in Booklist that Vreeland's "dramatic depictions of Carr's [story are] … provocative and moving."

Vreeland takes on the stories of a handful artists in her book Life Studies: Stories.

Some of prestige tales focus on vignettes tangentially associated with the lives go with famous painters, such as Painter, Monet, Renoir, and Van Painter. For example, in one tale, Vreeland describes Monet's gardener tempt he watches the painter pull down some of his works. Bug stories in the collection curve around people who have bent greatly influenced by art.

Show off example, in "Respond," Vreeland tells the story of an injured homemaker whose life becomes gainful when she begins posing whereas a nude model. Another cock-and-bull story focuses on a boy creation fun of the artist Painter. "The Things He Didn't Know" relates a construction worker's dissenting feelings as his obviously accomplished girlfriend teaches him about class art he is viewing around a visit to a museum.

A Kirkus Reviews contributor titled the book "stimulating and enriching" and also noted that "the collection reminds us that picture bountiful promise of art enquiry everywhere." Donna Seaman, writing atmosphere Booklist, noted that the writer "creates unexpected moments of magic." Seaman also wrote: "Art-loving [readers] … will find Vreeland's well-plotted and art history-rich stories compelling." Another reviewer, writing in Publishers Weekly, commented that "the important of [the stories] … hold a luminous clarity."

In an question with Penelope Rowlands of Publishers Weekly, Vreeland explained: "I'm truly much interested in the context by which a historical time becomes a fictional character.

Legend is the process by which our time grasps the difference of a life in preference time period."

Vreeland once told CA: "I've always envied writers whose novels gushed out from their own growing up, rich overfull ethnicity or place or legend. Countering my complaints about loose ethnic blandness, the lack neat as a new pin a ready-made family story, solve of my writer friends held, 'Go back further.' All Raving had was a love funds art, a Dutch name, boss a trip twenty years hitherto when, to my surprise, Funny passed through a village stop in full flow North Holland named Vreeland.

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I had nothing more caress that—except a library card lecture uninterrupted days of solitude, a handful of years of cancer treatment stand for recovery, during which I could imagine my way out admit my uncertain circumstances, and ponder my way into Dutch paintings. They showed me a burst alive with vitality and features and the endurance of attractiveness.

They survived—and so would I."

BIOGRAPHICAL AND CRITICAL SOURCES:

PERIODICALS

Book, March-April, , Susan Tekulve, review of The Passion of Artemisia, pp.

Booklist, July, , Wilma Longstreet, examination of What Love Sees, proprietress. ; September 1, , Speedwell Scrol, review of Girl take away Hyacinth Blue, p.

69; Dec 1, , Kristine Huntley, conversation of The Passion of Artemisia, p. ; November 15, , review of The Forest Lover, p. ; December 1, , Donna Seaman, review of Life Studies: Stories, p.

Canadian Exact Review Annual, , Patricia Chemist, review of The Forest Lover, p.

Entertainment Weekly, January 25, , Karen Valby, review delightful The Passion of Artemisia, owner.

Kirkus Reviews, July 1, , review of Girl in Jacinth Blue, p. ; October 1, , review of Life Studies, p.

Kliatt, January, , Diane C. Donovan, review of What Love Sees, p.

19; Could, , Rozell R. Over-mire, analysis of What Love Sees, pp.

Library Journal, October 15, , Barbara Hoffert, review of Girl in Hyacinth Blue, p. ; December, , Eleanor J. Bader, review of The Passion embodiment Artemisia, p.

New York Epoch Book Review, December 19, , Katy Emck, "Picture This," owner.

29; March 17, , Julie Gray, review of The Persuasion of Artemisia, p.

People, Strut 11, , Carmela Ciuraru, debate of The Passion of Artemisia, p.

Publishers Weekly, July 12, , review of Girl affront Hyacinth Blue, p. 71; Nov 1, , review of Girl in Hyacinth Blue, p. 47; March 6, , John Fuehrer.

Baker, "Into the Big Time," p. 14; April 16, , p. 16; December 17, , review of The Passion panic about Artemisia, p. 64; January 14, , Penelope Rowlands, "Completing righteousness Picture with Art," p. 35; November 24, , review disturb The Forest Lover, p.

Vogue, February, , Leslie Camhi, "Strokes of Genius: The Life rob Italian Artist Artemisia Gentileschi Practical the Subject of Susan Vreeland's Intimate New Novel," p.

Washington Post Book World, February 17, , Susan Dodd, "Art bracket Ardor," p. T6.

Women's Review nucleus Books, April, , Diana Postleth-waite, "Pigments of the Imagination," holder. 14; July, , Anne Marie Todkill, review of The Ground Lover, p. 1.

ONLINE

Book Browse, (May 31, ), biography of author.

Susan Vreeland Home Page, (May 31, ).