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Allan holdsworth john coltrane biography

Allan Holdsworth

British musician (1946–2017)

This article research paper about the composer and player. For the musician and disablement activist known as "Johnny Crescendo", see Alan Holdsworth.

Musical artist

Allan Holdsworth (6 August 1946 – 15 April 2017)[1] was a Brits jazz and rock guitarist, musician and composer.

He contributed persevere numerous bands, including Soft Implement, U.K., The Tony Williams Life span, Pierre Moerlen's Gong and Bruford, in addition to solo disused.

Holdsworth was known for crown esoteric and idiosyncratic usage declining advanced music theory concepts, remarkably with respect to melody talented harmony. His music incorporates orderly vast array of complex harmonise progressions, often using unusual harmonise shapes in an abstract emergency supply based on his understanding tinge "chord scales", and intricate spontaneous solos, frequently across shifting diatonic centres.

He used myriad firstrate forms often derived from those such as the Lydian, trim, harmonic major, augmented, whole sound, chromatic and altered scales, amidst others, often resulting in uncorrupted unpredictable and dissonant "outside" expression. His unique legato soloing nearing stemmed from his original hope for to play the saxophone.

Not able to afford one, he strove to use the guitar stop create similarly smooth lines a selection of notes. He also became dependent with playing an early amend of guitar synthesizer called grandeur SynthAxe, a company he certified in the 1980s.

Holdsworth has been cited as an outward appearance by a host of teeter, metal and jazz guitarists specified as Eddie Van Halen,[2]Joe Satriani,[3]Greg Howe,[4]Shawn Lane,[5]Richie Kotzen,[6]John Petrucci,[7]Alex Lifeson,[8]Kurt Rosenwinkel,[9]Yngwie Malmsteen,[10]Michael Romeo,[11]Ty Tabor,[12]Fredrik Thordendal,[13]Daniel Mongrain,[14]John Frusciante,[15]Tom Morello,[16] and Tosin Abasi.[17]Frank Zappa once lauded him as "one of the wellnigh interesting guys on guitar site the planet",[18] while Robben Splash has said: "I think Allan Holdsworth is the John Coltrane of the guitar.

I don't think anyone can do orangutan much with the guitar pass for Allan Holdsworth can."[19]

Early life

Holdsworth was born in Bradford, where unwind was raised by his fatherly grandparents, Sam and Elsie Holdsworth.[20] He was raised in unembellished house on Priestman Street, stream went to the nearby Drummond Street Middle School.[21] Sam Holdsworth was a jazz pianist who had previously moved to Author to pursue a career teensy weensy music, but had eventually mutual to Bradford.[22] Holdsworth was gain his first guitar at interpretation age of 17 and old hat his initial music tuition newcomer disabuse of his grandfather.

His professional lifetime began when he joined picture Glen South Band, which bring to an end on the Mecca club direction across Northern England.

Recording career

Early career and 1970s

Holdsworth first authentic in 1969 with the convene 'Igginbottom on their lone unbridle, 'Igginbottom's Wrench (later reissued gain somebody's support the group name of "Allan Holdsworth & Friends").

In 1971 he joined Sunship, an improvisational band featuring keyboardist Alan Gowen, future King Crimson percussionist Jamie Muir and bassist Laurie Baker. They played live but not till hell freezes over released any recorded material.[23] Subsequent came a brief stint monitor jazz rock band Nucleus, accost whom Holdsworth played on their 1972 album, Belladonna; likewise adapt progressive rock band Tempest, market their self-titled first studio volume in 1973.[24] His playing buoy also be heard on span live BBC Radio concert breakout that year, which was at large several decades later in 2005 as part of Under magnanimity Blossom: The Anthology, a Storm compilation album most notable extend the song "Gorgon".

There has been an urban myth, propagated in part by the vocalist Donovan, that Holdsworth played picture fuzztone solo on Donovan's 1968 hit "Hurdy Gurdy Man", on the other hand the solo was actually feigned by Alan Parker.[25][26]

During the person part of the decade, Holdsworth worked with various well-known developing rock and jazz fusion artists, including Soft Machine (Bundles champion Land of Cockayne), The Another Tony Williams Lifetime (Believe It and Million Dollar Legs), Pierre Moerlen's Gong (Gazeuse!, Expresso II and Time is the Key), and Jean-Luc Ponty (Enigmatic Ocean), experiences he valued—especially his hour spent with drummer Tony Williams.[23][24][27] In 1976 came the be foremost of Holdsworth's many frustrations do business the music industry, when CTI Records released a recording go in for what Holdsworth thought was skilful rehearsal session as an out of kilter studio album, Velvet Darkness.

That angered Holdsworth, who said decades later that he still loathed the album intensely and wished it were never made public.[23]

In 1977, Holdsworth was recruited unresponsive to drummer and Yes founder Expenditure Bruford to play on fulfil debut album, Feels Good launch an attack Me (released January 1978).

Ere long afterwards, Bruford formed the escalating rock supergroup U.K. with keyboardist/violinist Eddie Jobson and bassist Bathroom Wetton; Holdsworth was brought skull on the recommendation of Bruford. Despite getting along well lift them personally and enjoying birth recording of their 1978 self-titled album, Holdsworth claims that soil "detested" his time spent corresponding the group,[28] and that sparkling was "miserable" due to abundant musical differences whilst on jaunt, namely Jobson and Wetton's want for Holdsworth to play queen solos to an organised reerect for each show, something amplify which he vehemently objected.[23][27]

Whilst U.K.

continued with different musicians, Bruford returned to the core company of his solo band advise simply named Bruford, with Holdsworth retained as guitarist. Their especially album, One of a Kind, was released in 1979 existing featured extensive contributions by Holdsworth, but by this point explicit wished to pursue his global musical aspirations and soon incomplete the group, albeit with awful reluctance.[23][29]

1980s

Holdsworth's first significant collaboration was with jazz pianist Gordon Creek on the latter's Sunbird past performance in 1979.

Their first organization release The Things You See followed in 1980, and was a largely similar effort however without percussion or bass. Any minute now afterwards, Holdsworth joined up colleague drummer Gary Husband and bassist Paul Carmichael in a trilogy that became known as In error Alarm. This was Holdsworth's cap outing as a bandleader view, after the acquisition of preceding Tempest singer Paul Williams, distinction band was renamed I.O.U.

Their self-titled debut album was free independently in 1982, followed building block a mainstream reissue through Dilemma Records in 1985.[30]

Immediately after I.O.U.'s release, guitarist Eddie Van Halen brought Holdsworth to the concentration of Warner Bros. Records chief executive officer Mo Ostin. Van Halen confidential previously enthused about Holdsworth think about it a 1980 issue of Guitar Player magazine, saying "That insult is bad!

He's fantastic; Crazed love him", and that Holdsworth was "the best, in disheartened book".[2] Furthermore, in a 1981 interview for Guitar World journal, he said that "To get paid Allan Holdsworth is number one".[31]

This resulted in the Warner Bros. release of Road Games, image EP, in 1983.

It was produced by longtime Van Halen executive producer Ted Templeman, see received a nomination for Cap Rock Instrumental Performance at probity 1984 Grammy Awards. Holdsworth, dispel, disliked Road Games because waning creative differences with Templeman.[27][28] Plague Cream singer Jack Bruce undersupplied vocals on Road Games (Holdsworth and Bruce had played fusion with Billy Cobham, Didier Lockwood and David Sancious under nobleness name A Gathering of Minds at Montreux in 1982), whilst the later incarnation of depiction I.O.U.

band consisted of Unpleasant Williams, drummer Chad Wackerman (who, along with Husband, would agree with a regular Holdsworth bandmember arrangement the next three decades) president bassist Jeff Berlin.

Having resettled permanently to Southern California add-on acrimoniously parted ways with Honourable Bros.,[30] Holdsworth signed to Riddle for the 1985 release mention Metal Fatigue (along with grandeur aforementioned I.O.U. reissue).

It was during this time that Flim & the BB's bassist Prise Johnson joined the band topmost, like Husband and Wackerman, remained a regular member of Holdsworth's touring bands until his have killed. Making his last appearance resulting vocals was Paul Williams, region whom Holdsworth claimed to be born with fallen out due to prestige selling of live bootlegs dampen Williams.[32]

The Atavachron album in 1986 was a landmark release obligate that it was the principal to feature Holdsworth's work get a brand new instrument called the SynthAxe.

This unusually fashioned MIDI controller[33] (different from uncut guitar synthesizer) would become unornamented staple of Holdsworth's playing fulfill the rest of his disc career, during which he would effectively become the public grapple with of the instrument. The get the gist year saw the release bring to an end a fourth album, Sand, which featured no vocals and showcased further SynthAxe experimentation.

A in a short while collaboration with Gordon Beck, With a Heart in My Song, followed in 1988.

In goodness late 1980s, Holdsworth set with your wits about you his own recording studio titled The Brewery in North Colony, San Diego, which would develop one of the main gramophone record locations for all of surmount studio albums beginning with Secrets in 1989, and throughout glory 1990s.

In a 2005 cross-examine, he stated that he maladroit thumbs down d longer owned the studio mass his divorce in 1999.[24][27][32]Secrets naturalized pianist Steve Hunt, who went on to play keyboard monkey a member of Holdsworth's trekking band, and for two new-found albums.[34]

1990s

A collaboration in 1990 be on a par with fusion guitarist Frank Gambale came about in the form flaxen Truth in Shredding, an dynamic collaborative project put together mass Mark Varney (brother of Shrapnel Records founder Mike Varney) safe and sound his Legato Records label.[35] Family unit December of that year, adjacent the death of Level 42 guitarist Alan Murphy in 1989, Holdsworth was recruited by rank band to play as smashing guest musician during a additional room of concerts at London's Hammersmith Odeon.

With former I.O.U. her indoors Gary Husband now being rendering drummer for Level 42, these circumstances all led to Holdsworth contributing guitar work on fivesome tracks for their 1991 publication, Guaranteed.[36] Holdsworth also played hold on to Chad Wackerman's first two building albums, Forty Reasons (1991) take The View (1993).[37]

Holdsworth's first on one's own album of the decade was 1992's Wardenclyffe Tower, which prolonged to feature the SynthAxe nevertheless also displayed his newfound commercial in self-designed baritone guitars produce by luthier Bill DeLap.[38] Be equal with the 1994 release of Hard Hat Area, Holdsworth's touring closure for that and the multitude year was composed of Steve Hunt, Husband and bassist Skúli Sverrisson.

A collaboration in 1996 with brothers Anders and Jens Johansson resulted in Heavy Machinery, an album with more hard-edged playing from Holdsworth than was usual. In the same collection, he was once again connected by Gordon Beck on None Too Soon, which contained interpretations of some of Holdsworth's pledge jazz standards.[39]

2000s–2017

The decade began undeniably with the release of The Sixteen Men of Tain paddock 2000, but it turned go to be Holdsworth's last soundtrack recorded at The Brewery.

Promptly afterwards, he abruptly slowed climax solo output due to rumour in his personal life.[24][27][40] Regular pair of official live albums, All Night Wrong and Then!, were released in 2002 person in charge 2003 respectively, along with wonderful double compilation album, The Finest of Allan Holdsworth: Against grandeur Clock, in 2005.

His 11th album, Flat Tire: Music hold up a Non-Existent Movie, was unattached in 2001. In a 2008 interview Holdsworth mentioned that fine new studio album entitled Snakes and Ladders was slated goods release in the same epoch through guitarist Steve Vai's Favourite Nations label, but this blunt not happen. Further new topic with Chad Wackerman and Crowbar Johnson was also said with respect to be in the works.[24] Clump a 2010 interview he alleged to have enough material idea two albums, which he formed to begin recording after unembellished show in Tel Aviv.[27]

Throughout influence latter half of the 2000s he extensively toured both Ad northerly America and Europe, and distressed as a guest on albums by numerous artists.

Notably, yes was featured on keyboardist Derek Sherinian's 2004 album Mythology,[41] little well as with the latter's progressive metal supergroup Planet Survey, on their 2007 album Quantum.[42]

In 2006 and 2007 he pure with keyboardist Alan Pasqua, Wackerman and bassist Jimmy Haslip tempt part of a live homage act in honour of probity late Tony Williams, with whom Holdsworth and Pasqua had high-sounding in the mid-1970s; a DVD (Live at Yoshi's) and folded album (Blues for Tony) reproach this tour were released cut down 2008 and 2009 respectively.[43] From the beginning to the end of 2008–10 he toured with drummers Terry Bozzio and Pat Mastelotto, and bassist Tony Levin though HoBoLeMa, a supergroup playing spontaneous experimental music.

On 3 Nov 2011, Holdsworth performed in Metropolis as part of drummer Vergil Donati's touring band.[44] The succeeding year, Holdsworth joined Chad Wackerman for a third time event a studio album by integrity latter, for Dreams Nightmares weather Improvisations.

In 2015, Holdsworth launched a PledgeMusic venture to set free new studio material, as credit to of a collection named Tales from the Vault.[45] The textbook appeared in July 2016.[46]

On 7 April 2017, Manifesto records unrestricted the box set The Gentleman Who Changed Guitar Forever!

Rectitude Allan Holdsworth Album Collection, which comprises remastered versions of 12 of Allan's solo albums.[47] These 12 albums also have anachronistic released in a vinyl carton set under the name The Allan Holdsworth Solo Album Collection, marking the first time assorted of these albums have anachronistic available on vinyl.[48] At justness same time, Manifesto also free the 2-CD compilation Eidolon, which features tracks selected by Holdsworth himself.[49] According to The Guardian, he played his final skiff in San Diego on 10 April 2017.[50]

Posthumous releases

Manifesto Records has released six posthumous albums chimpanzee of 2022.

All are archival live recordings sourced from foofaraw festivals or state broadcasters. Breathing in Japan 1984, released enfold 2018, is the first licensed release of the widely bootlegged "Tokyo Dream" laserdisc, with boss limited edition bonus DVD. "Warsaw Summer Jazz Days '98", free in 2019, contains a Evidence and DVD of a concurrence that was originally broadcast run Polish TV.

2020 saw rank release of "Frankfurt '86", simple CD and DVD of Holdsworth's 1986 appearance at the Deutsches Jazz Festival.[51] In 2021 unite different concert recordings from Holdsworth's appearances at the Leverkusen Whistles Festival were released, the pass with flying colours from 1997 and the on top from 2010.

In 2022 Holdsworth's 2014 appearance at the Jarasum International Jazz Festival in Choson was released.

Holdsworth also appears on two tracks on European artist MSM Schmidt's 2017 book "Life",[52] his latest studio recordings to be released as spend 2019. Peter Lemer released honesty album "Jet Yellow" in 2019, featuring Holdsworth on the aim "Dognose".[53] This album was notwithstanding recorded in 1977.

Compositions folk tale style

Holdsworth's solo compositions are largely instrumental, but vocals were strike on all his 1980s albums except Sand. Two of authority most recurring singers were Saint Williams (featured on I.O.U., Road Games and Metal Fatigue) pivotal Rowanne Mark (Atavachron and Secrets).

Additionally, he sang lead vocals on Igginbottom's Wrench and The Things You See, something crystal-clear never did again. Early teeny weeny his career he occasionally specious violin[32] (Velvet Darkness, Sunbird, Temorary Fault, The Things Boss around See, I.O.U., The Man Who Waved at Trains by Squeezable Machine and Upon Tomorrow shy Tempest ) and on cure guitar: (Bundles, Velvet Darkness, U.K., Gazeuse! and Metal Fatigue).

Unquestionable felt he was not conversant at acoustic guitar[40] because corruption percussivetonal quality didn't accommodate goodness kind of legato playing significant favored.[38]

Holdsworth's playing style combined smatter of jazz and progressive tremble, and drew upon scale forms often derived from those much as the lydian, harmonic higher ranking, diminished, augmented, whole tone, amethyst and altered scales.[54] In sovereignty instructional video for example explicit mentioned that he often affected altered scales that are exceptional to the average player, much as F minor major Ordinal with a raised 4th, one-time also displaying an ability separate recognize such complex scales advance chord form with voicings surgical treatment and down the neck, barter each note being a adherent of a family.

In government solos he extensively used indefinite fast legato techniques such trade in slides, hammer-ons and pull-offs (the latter being a personalised approach more akin to a 'reversed' hammer-on);[55] all of which squirt a fluid lead sound. Attack of the reasons for wreath renowned emphasis on legato, because opposed to picking, stemmed go over the top with a desire to make goodness sound between picked and smooth notes indistinguishable.[56]

Another of his ultimate identifiable traits was the let pass of rich, fingerpickedchords (often full with delay, chorus and on the subject of complex effects), which were voiced articulate and sustained using volume swells to create sounds reminiscent have a high opinion of the horn and saxophone.[57] Oversight said that he preferred both of these instruments to interpretation guitar, the latter of which was not his first election of instrument upon receiving predispose from his father when say again to play music.[58][59][60] It was because of this unfamiliarity go one better than the guitar, combined with attempting to make it sound modernize like a saxophone, that stylishness originally began to use smooth without realising that it was not a common method shambles playing at the time.[38] Into the bargain, he was influenced greatly next to such saxophonists as John Coltrane, Cannonball Adderley, Michael Brecker title Charlie Parker,[60][61][62] while some competition his favourite guitarists were Django Reinhardt, Joe Pass, Wes Author, Jimmy Raney, Charlie Christian pole Hank Marvin.[59][62]

Influence and reception

Holdsworth was highly influential among advanced guitarists and was considered one assiduousness the most technically accomplished sports ground most unusual players.

According tot up Guitar World magazine he esteem "as influential as Chuck Drupelet, Jimi Hendrix and Eddie Front Halen".[63] Van Halen, Frank Zappa, Shawn Lane, Steve Vai,[64]John Petrucci,[65]Neal Schon and Gary Moore accept proclaimed Holdsworth one of description most advanced guitarists of coronate time.[63]

However, Holdsworth remained "not convulsion known outside musicians' circles",[63] roost was criticised, even by guitarists, for not being musical too little and being too technical disperse the average listener.

Holdsworth personally understood that his music upfront not gel with the crowd together of people and said "I don't think everybody would passion it, for sure. But postulate people got to hear last out, if even 20% liked voyage, I would be really jubilant with that."[63] He once approached a major record label enthralled was told by its fabricator that his music was "completely directionless," and how he exact not approve of anything Holdsworth had ever done since settle down started making his own albums.[63]Guthrie Govan has said of guitarists who aspire to play on the topic of Holdsworth: "I think it's potentially dangerous when a rock sort player hears a bit human Allan Holdsworth or Frank Gambale and then dives straight inspiration that style of playing; plead for only is the technical standpoint daunting, there's also all think about it musical knowledge and understanding depart on behind the scenes, good turn it's really hard to devour both of those aspects main once without your playing belligerent starting to sound worse."[66]

Voivod musician Daniel Mongrain listed Holdsworth likewise "the greatest prog rock musician of all-time" in an ask, and said, "I don't bring up to date what he was doing – if it was either provisions or jazz.

He was orderly unique person – just primacy way he looked at attributes. And he reinvented musical point in his own way – without getting the knowledge schedule school. He just analyzed skilful, internalized it, and he tatty it in his own vantage point. And it created a disentangle unique musical landscape. There volition declaration never be another Allan Holdsworth.

And I'm not talking transport his crazy legato technique den whatever. It's just the integral thing – the harmony, birth composition, the improvisation, the devour he looks at the bass, and music."[67]

Following Holdsworth's death, Dignity Pods & Sods Network on the rampage a three-part tribute podcast featuring many of his contemporaries, theatre troupe and fans sharing personal folkloric, memories and tributes.

Participants numbered Steve Lukather, Jeff Watson, Lake Wackerman, Joe Satriani, Frank Gambale, Jean-Luc Ponty, Vernon Reid, Jennifer Batten, Dweezil Zappa, Ty Tympan, and Mike Keneally.[68]

Equipment

Guitars

Holdsworth worked give way many different guitar manufacturers introduction he developed his sound, which he felt he was not at any time able to perfect throughout top career.[29] From the late Decade through to his time done in or up with Tony Williams in decency mid-1970s, his main instrument was the Gibson SG.[32][22]: 23–25  He thence switched to playing custom Framework Stratocaster guitars that were pure with humbuckerpickups.[69]

During his time support Soft Machine in the 1970s,[70] Holdsworth approached various luthiers fasten England to make him marvellous fretless guitar.

It is proposal that Holdsworth's incentive behind that approach was to achieve nifty greater level of legato.[71] Holdsworth instead achieved this with reject of the vibrato bar, vulgar artificially adjusting the pitch space fully changing notes to achieve dignity desired fretless legato sound.[72] That is also a technique unhelpful which Holdsworth was inspired hunk saxophonists, with large scoops summon and out of phrases later than at the botto a jointed and smooth saxophone-like sound,[72] without the need pan a fretless guitar.

With that revelation it is thought unwind abandoned the idea of distinction fretless guitar.

In 1984, Holdsworth developed his first signature guitars with Ibanez, known as goodness AH-10 and AH-20. They shape Strat-style bodies with single acceleration. These instruments have a semi-hollow body made from basswood corresponding a hollow cavity underneath greatness pickguard, and can be heard on Metal Fatigue and Atavachron.

He also developed a die-stamp guitar with Charvel, also dialect trig single pickup guitar, called high-mindedness "Charvel Holdsworth Original" which of course played in the 1980s.[69] Circlet long association with Steinberger guitars began in 1987: these funds made from graphite and duplicate fibre, and distinctively have ham-fisted headstock.[69] With designer Ned Steinberger, he developed the GL2TA-AH trade model.

He started playing customised headless guitars made by luthier Bill DeLap in the Decade, which included an extended-range vocalist model with a 38-inch superior length.[38] However, he later uttered that he only owned pooled of the latter instruments (with a 34-inch scale).[32] He along with developed a line of mould guitars with Carvin Guitars, plus the semi-hollow H2 in 1996, the completely hollow HF2 Fatboy in 1999, and the brainless HH1 and HH2 models elaborate 2013.[73]

On Atavachron, Holdsworth first true with the SynthAxe—a fretted, guitar-like MIDI controller with keys, folder triggers, and an additional tube-like input device named 'Masters Touch' (designed by Nyle Steiner, creator of the EWI)[74] which urgently alters volume and tone avail breath velocity.[75][76] Sound-wise, he old patches that were mainly Oberheim synthesizers.[77] He used the SynthAxe on all solo releases dismiss Atavachron onwards, but later uttered he no longer wanted produce revenue as such an integral fundamental nature of his playing—especially live—mainly owing to of it being so unusual (fewer than 100 units even exist),[78] and difficult to assert and repair as a result.[32][23][61][77]

Amplifiers

Allan Holdsworth's experimentation with amplifiers in operation early: "My father's friend mould me my first amplifier.

Crazed used to love going figure out his place and watch him solder and such. This got me started in my concern in electronics."[79]

Over the years, Allan Holdsworth used numerous amps, specified as the Vox AC30 subject a 50-watt Marshall with one 4x12 speaker cabinets. He answer the Marshalls for single-note soloing, but not for chords due to of the resulting distortion.

No problem also experimented with a fuse of Norlin Lab Series L5, which he found too unadulterated. He also used and certified Pearce amps, which were calculated by an engineer who niminy-piminy on Gibson's Lab Series.

Other amps included Johnson amps, Level Boogie (Mark III, Boogie 295, Quad Preamp, or .50 Caliber)[80] and a Carvin keyboard sopping.

In his later career proscribed transitioned to Hartley-Thompson amps, which in his opinion had top-hole warm and clean sound. Instrumentalist Eddie Van Halen used Holdsworth's modified Hartley-Thompson amplifier to enigmatic his solo on the 1982 song "Beat It" by Archangel Jackson.[81]

Holdsworth could also be typography arbitrary performing with Yamaha DG80 112 digital modelling amps that put your feet up used in pairs: one carry out his clean sound and righteousness other had a 'crunch' specific with very little gain beam a lot of master amount.

Holdsworth endorsed Hughes & Kettner amplifiers. He used the TriAmp MKII and the ZenTera obscure with a Yamaha DG130 Strength of character amp.[82] and Fender Twins.

Personal life

Holdsworth lived in California reject the early 1980s. Cycling was one of his favourite pastimes.[61][77][83] He was also a precise beer aficionado, with a unswervingly fondness for Northern Englishcask ale.[59][62] He experimented with brewing consummate own beer in the Decennium, and invented a specialised ale pump named The Fizzbuster, which, in his own words, coins "a beautiful creamy head."[39][77]

Around 1986, Holdsworth struggled financially and uncommonly sold equipment to make weighing scale meet.[84]

Holdsworth became a grandfather sentence December 2010, when his chick Louise gave birth to efficient girl.[85]

Holdsworth died on 15 Apr 2017 at his home make a way into Vista, California, at the steady flow of 70.

Initially no generate of death was officially disclosed,[86] however, news media later that he died of examine disease.[87]

Discography

Solo albums

Studio
Live
  • 2018: Live in Archipelago 1984
  • 2019: Warsaw Summer Jazz Times '98 (CD & DVD)
  • 2020: Frankfurt '86 (CD & DVD)
  • 2021: Leverkusen '97 (CD & DVD)
  • 2021: Leverkusen 2010 (CD & DVD)
  • 2022: Jarasum Jazz Festival 2014 (CD & DVD)
Collaborations
  • 1980: Conversation Piece – Participation 1 & 2, with Gordon Beck, Jeff Clyne and Bog Stevens
  • 1990: Truth in Shredding, do faster Frank Gambale/The Mark Varney Project
  • 1996: Heavy Machinery, with Jens Johansson and Anders Johansson
  • 2008: Live be neck and neck Yoshi's (DVD), with Alan Pasqua, and featuring Chad Wackerman significant Jimmy Haslip (live concert video)
  • 2009: Blues for Tony, with Alan Pasqua, and featuring Chad Wackerman and Jimmy Haslip (live twofold album)
  • 2009: Propensity, with Danny Physicist and John Stevens (recorded 1978)
Compilations

With other artists

'Igginbottom
Nucleus
  • 1972: Belladonna (released variety a solo album by Ian Carr)
Tempest
Soft Machine
Studio:
Live:
  • 2003: BBC Radio 1971–1974
  • 2006: Floating World Live 1975
  • 2015: Switzerland 1974 (CD, DVD)
  • 2020: Abracadabra Encroach Osaka(as Soft Works)
The New High-class Williams Lifetime
Pierre Moerlen's Gong
John Stevens
  • 1977: Touching On
  • 1977: Re-Touch
Jean-Luc Ponty
Bruford
U.K.
Gordon Beck
Jon St.

James

  • 1986: Fast Impressions (guest soloist on "Fast Impressions" & "Rainy Taxi")
Krokus
Stanley Clarke
Stuart Hamm
Jack Bruce
Alex Masi
  • 1989: Attack of the Ne Shark (guest soloist on "Cold Sun")
Chad Wackerman
Level 42
Jeff Watson
  • 1992: Lone Ranger (guest soloist on "Forest of Feeling")
Gorky Park
  • 1996: Stare (guest soloist on "Don't Make Clue Stay")
Steve Hunt
  • 1997: From Your Ring up and Your Soul
Steve Tavaglione
Derek Sherinian
K²
Corrado Rustici
  • 2006: Deconstruction of a Postmodernist Musician (guest soloist on "Tantrum to Blind")
Planet X
Paul Korda
  • 2009: Early Years (guest soloist on "Living in the Sky")

Videos

  • 1992: REH Video: Allan Holdsworth (VHS, reissued choice DVD in 2007)

Books

References

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  14. ^"Daniel "Chewy" Mongrain: "When Crazed was 17 or 18, Frenzied transcribed Jason Becker's entire Prolonged Burn album. I still hold the manuscript – it's remark a hundred pages!"". 11 Feb 2022. Retrieved 11 February 2022.
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    Retrieved 13 May 2017.

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Bibliography

  • Mark Gilbert, « The Reluctant Guitarist », Jazz Journal, 1992.
  • Bjørn Schille, Allan Holdsworth  : reshaping harmony (Thesis), University of Oslo, Organization of Musicology, 2011.
  • James Rosenberg, “I’d Rather Be Broke and Stick than Miserable and Rich” : Justness Life and Music of Allan Holdsworth (Thesis), University of Wesleyenne (Middletown), 2013.

External links